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SHOW 02
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Eternal Faces
15th Aug '25
30th Sep '25
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Kara, Parade Ground, Fort Kochi
An ongoing negotiation
of ritual, memory,
belonging and
imagination.
eternal faces
Ernesto Sumarkho
Eternal Faces is an immersive photo series centred around Topeng, an Indonesian dance-drama originating in the 12th century where masked, ornately costumed performers enact ancient fabled tales through movement, speech, music and ritual. Each topeng (mask) represents a character—a god, a hero, a demon—each symbolising a unique archetype.

Motivated by his father’s Indonesian roots and heritage, and the questions surrounding that identity, Sumarkho collaborated with local mask makers, performers, and residents of Java to create a vivid portrait of this living tradition. Taking a hybrid approach that blends documentary photography with elements of myth, fiction and interpretation to reimagine a cultural practice, the masked body becomes a site where history, memory and present reality intersect.

Using a hybrid approach, Sumarkho blends documentary with elements of myth, fiction, and interpretation to imagine a cultural practice. Eternal Faces is his invitation to reflect on how tradition can be negotiated, inhabited, and transformed across temporal thresholds.
Enersto Sumarkho was born in Caracas, Venezuela, to a Venezuelan mother and Indonesian father. Growing up, he was surrounded by objects and artefacts from his father’s homeland. This was his earliest introduction to Topeng. These objects were at once strangely foreign, yet incredibly familiar. The duality seemed like a constant reconciliation of identity.

After having studied film in Los Angeles, he went on to complete his Bachelors in Public Communication at the University of Technology in Sydney. He is now a practicing artist in Australia.

His photographic work explores themes of identity, culture, nature and the subconscious with multiple layers of meaning. At the core of his practice lies a deep fascination with the human experience and how identity, memory and mythology intertwine in the images we create and stories we tell.
Kara Hotel fort Kochi
Kara Hotel fort Kochi
Kara Hotel fort Kochi
In conversation
with the artist:
What drew you to the Topeng mask tradition as a subject?
Connecting with my father’s roots and heritage has been an important part of our relationship. Our house in Venezuela had many Indonesian artefacts and artworks belonging to my father. My first impressions of Topeng came through these. That connection, those memories , and the questions surrounding that identity were the motivators behind this project.
How was the process of collaboration with the local mask makers and performers of East and Central Java?
It was a very special experience. Not just as a photographer, but also as a guest and a student. Each one of them had a unique perspective—on Topeng as an art form, and how it connects to their sense of identity, ancestry, and everyday life. The images are influenced by their creative input.
Do you see Eternal Faces as a form of contemporary archive or a bridge for younger generations to reconnect with heritage?
The mask makers and performers are at the forefront of preserving a tradition that dates to the 12th century. By using a hybrid genre that combines documentary with elements of storytelling, Eternal Faces enables one to imagine, experience and negotiate traditional cultural practices in today’s context.
What do you feel Eternal Faces taught you—artistically, personally, spiritually?
It has been very personal connecting with my Indonesian heritage. To me, the act of putting a mask is a metaphor for identity—how I carry different stories, different histories, sometimes hidden, sometimes worn with pride. Artistically, the collaborations pushed me to embrace ambiguity and to let go of rigid narratives. That uncertainty became part of the language.
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Bromo - 80 x 60 cm
Kara Hotel fort Kochi
Caldera - 120 x 90 cm
Kara Hotel fort Kochi
Genesis - 60 x 80 cm
Kara Hotel fort Kochi
Dikin - 60 x 80 cm
Kara Hotel fort Kochi
Nilna - 60 x 80 cm
Kara Hotel fort Kochi
Norma - 60 x 80 cm
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Mudrah II - 45 x 60 cm
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Zainatul - 45 x 60 cm
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Batik - 60 x 80 cm
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Mahfud - 60 x 80 cm
Kara Hotel fort Kochi
Mbah Benu - 60 X 80 cm
Kara Hotel fort Kochi
Ki Supono - 45 x 60 cm
Kara Hotel fort Kochi
Nasai - 60 x 80 cm
Kara Hotel fort Kochi
Bowo - 45 x 60 cm
Topeng

Each Topeng (mask) is traditionally carved from light wood, such as
Pule wood. Painstakingly painted with natural pigments and decorated with hair or fabric. Each mask must fit tightly yet allow breathing and subtle facial movement.
Kara Hotel fort Kochi
Durga mask: This mask of Goddess Durga is crafted from Sengon wood. This character represents the embodiment of Dewi Umang and is typically featured in the Ruwatan Wayang Topeng Malang narratives. The mask was created by 62 years old Budi Utomo in April 2020, coinciding with World Dance Day that year. The creation process was inspired by and reflects the atmosphere during the pandemic.
Kara Hotel fort Kochi
Bapang mask: Bapang is the character of Sabrang–a bold and rebellious figure who is unruly in nature. Despitehis brash demeanor, Bapang is portrayed as a powerful and virtuous warrior with extraordinary abilities. The Bapang mask was made in 2024 by Muhammad Sugeng. The carving process took three days.
Kara Hotel fort Kochi
Sekartaji mask: Made from Sengon wood in 2023, the Sekartaji mask depicts one of the iconic characters from the Panjitales. Dewi Sekartaji is the consort of Raden Panji Asmarabangun. This mask is commonly used by the dance students of Sanggar Setyotomo in Glagahdowo Village. Each character in Malang-style masks carries a distinct color philosophy. The white color in this mask represents purity, sincerity, steadfastness, and natural beauty.
Kara Hotel fort Kochi
Betoro Kolo mask: represents a character of a destructive and chaotic nature. In Wayang Topeng Ruwatan stories, BetoroKolo is known as the son of Dewi Umar and Betoro Guru. The Durga and Betoro Kolo masks together symbolize the elements of space and time. This mask was crafted by Utomo in 2014 using pule wood. It holds special significance as it was created through aritualistic process in conjunction with a Wayang Kulit Ruwatan ceremony.
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This mask is from Cak Bendol ‘Mariono’, a mask-maker from Pakisaj ivillage.
Kara Hotel fort Kochi
This mask is from Muhammad Sugeng ‘Lyhonk’ from
Jabung village.
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